{"id":152,"date":"2022-05-14T21:26:45","date_gmt":"2022-05-14T21:26:45","guid":{"rendered":"https:\/\/finart.art.br\/?p=152"},"modified":"2022-08-27T01:11:43","modified_gmt":"2022-08-27T01:11:43","slug":"residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya","status":"publish","type":"post","link":"https:\/\/finart.art.br\/index.php\/2022\/05\/14\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/","title":{"rendered":"Residencia de Arsfactus: TRAS pasos en Los Vilos!, por Virginia Araya"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; background_color=&#8221;#FFFFFF&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Open Sans||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_font=&#8221;Playfair Display SC||||||||&#8221; header_font_size=&#8221;50px&#8221; header_line_height=&#8221;1.5em&#8221; header_6_font=&#8221;||||||||&#8221; text_orientation=&#8221;center&#8221; max_width=&#8221;816px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||65px||&#8221; custom_padding=&#8221;|||&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; header_font_size_tablet=&#8221;50px&#8221; header_font_size_phone=&#8221;32px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1 class=\"entry-title\">Residencia de Arsfactus<\/h1>\n<p><span><b>emilla \u2013\u00a0<\/b><\/span><span><b>Paisaje \u2013\u00a0<\/b><\/span><span><b>Naturaleza\u00a0 \u2013\u00a0<\/b><\/span><span><b>Apoyo \u2013\u00a0<\/b><\/span><span><b>Germinar \u2013\u00a0<\/b><\/span><span><b>Textil \u2013\u00a0<\/b><\/span><span><b>Conexi\u00f3n \u2013\u00a0<\/b><\/span><span><b>Familia \u2013\u00a0<\/b><\/span><span><b>Colectivo \u2013\u00a0<\/b><\/span><span><b>Amigas<\/b><\/span><\/p>\n<p><span class=\"dropcap\" data-dropcap=\"E\">E<\/span>stos tremendos conceptos, son las palabras que m\u00e1s se repitieron en el conversatorio que dio el vamos a la residencia art\u00edstica de las diez integrantes del colectivo santiaguino Arsfactus m\u00e1s invitadas, en Los Vilos en mayo pasado. Fueron el<span>\u00a0<\/span><em>in put<\/em><span>\u00a0<\/span>de inspiraci\u00f3n para estas creadoras que inspiradas en el texto \u201cLos Espejos\u201d de Jorge Luis Borges: la obra como reflejo se atrevieron a reflexionar en este pueblo de la costa de la cuarta regi\u00f3n, sencillo, duro, pero con mucha historia ancestral escondida en sus tierras.<\/p>\n<div class=\"tiled-gallery type-rectangular\" data-original-width=\"1100\" data-carousel-extra=\"{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/revistaphilos.com\\\/2019\\\/06\\\/21\\\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\\\/&quot;,&quot;likes_blog_id&quot;:&quot;121107852&quot;}\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageGallery\">\n<div class=\"gallery-row\" data-original-width=\"1100\" data-original-height=\"309\">\n<div class=\"gallery-group images-1\" data-original-width=\"551\" data-original-height=\"309\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/captura-de-pantalla-2019-06-06-a-las-17-52-41\/\" border=\"0\" itemprop=\"url\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"6694\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.52.41.png\" data-orig-size=\"1280,715\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 17.52.41\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.52.41.png?fit=300%2C168&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.52.41.png?fit=1024%2C572&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.52.41.png?w=547&amp;h=305&amp;ssl=1\" width=\"547\" height=\"305\" data-original-width=\"547\" data-original-height=\"305\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 17.52.41\" alt=\"Los Vilos, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<div class=\"gallery-group images-1\" data-original-width=\"549\" data-original-height=\"309\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/captura-de-pantalla-2019-06-06-a-las-17-54-47\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6695\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.54.47.png\" data-orig-size=\"1274,714\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 17.54.47\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.54.47.png?fit=300%2C168&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.54.47.png?fit=1024%2C574&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.54.47.png?w=545&amp;h=305&amp;ssl=1\" width=\"545\" height=\"305\" data-original-width=\"545\" data-original-height=\"305\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 17.54.47\" alt=\"Los Vilos, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"gallery-row\" data-original-width=\"1100\" data-original-height=\"310\">\n<div class=\"gallery-group images-1\" data-original-width=\"550\" data-original-height=\"310\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/captura-de-pantalla-2019-06-06-a-las-17-47-45\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6696\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.47.45.png\" data-orig-size=\"1278,717\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 17.47.45\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.47.45.png?fit=300%2C168&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.47.45.png?fit=1024%2C574&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.47.45.png?w=546&amp;h=306&amp;ssl=1\" width=\"546\" height=\"306\" data-original-width=\"546\" data-original-height=\"306\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 17.47.45\" alt=\"Los Vilos, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<div class=\"gallery-group images-1\" data-original-width=\"550\" data-original-height=\"310\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/captura-de-pantalla-2019-06-06-a-las-17-50-07\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6697\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.50.07.png\" data-orig-size=\"1276,715\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 17.50.07\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.50.07.png?fit=300%2C168&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.50.07.png?fit=1024%2C574&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.50.07.png?w=546&amp;h=306&amp;ssl=1\" width=\"546\" height=\"306\" data-original-width=\"546\" data-original-height=\"306\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 17.50.07\" alt=\"Los Vilos, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>\u201cMujer, espejo, imagen y s\u00edmbolo\u201d\u2026 no son acaso un solo tema? S\u00ed, bien puesto el t\u00edtulo de la exposici\u00f3n TRAS pasos.<br \/>Se contienen mutuamente y seguramente quedar\u00e1n reflejados sin l\u00edmites claros en las obras de Denise Blanchard, Amelia Err\u00e1zuriz, Maite Izquierdo, Mar\u00eda Jos\u00e9 Mir, Carolina Oltra, Eliana Simonetti, Guadalupe Vald\u00e9s, Angela Wilson, Cileni Pastene, Sol Germain y Carola Trimano (Sao Paulo, Brasil).<\/p>\n<div class=\"tiled-gallery type-rectangular\" data-original-width=\"1100\" data-carousel-extra=\"{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/revistaphilos.com\\\/2019\\\/06\\\/21\\\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\\\/&quot;,&quot;likes_blog_id&quot;:&quot;121107852&quot;}\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageGallery\">\n<div class=\"gallery-row\" data-original-width=\"1100\" data-original-height=\"160\">\n<div class=\"gallery-group images-1\" data-original-width=\"256\" data-original-height=\"160\">\n<div 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data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 17.23.45\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.23.45.png?fit=300%2C186&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.23.45.png?fit=1024%2C634&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.23.45.png?w=252&amp;h=156&amp;ssl=1\" width=\"252\" height=\"156\" data-original-width=\"252\" data-original-height=\"156\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 17.23.45\" alt=\"Los Vilos, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<div class=\"gallery-group images-1\" data-original-width=\"281\" data-original-height=\"160\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/captura-de-pantalla-2019-06-06-a-las-17-59-55\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6701\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.59.55.png\" data-orig-size=\"1271,715\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 17.59.55\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.59.55.png?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.59.55.png?fit=1024%2C576&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.59.55.png?w=277&amp;h=156&amp;ssl=1\" width=\"277\" height=\"156\" data-original-width=\"277\" data-original-height=\"156\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 17.59.55\" alt=\"Carola Trimano, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<div class=\"gallery-group images-1\" data-original-width=\"281\" data-original-height=\"160\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/captura-de-pantalla-2019-06-06-a-las-18-05-35\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6702\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-18.05.35.png\" data-orig-size=\"1277,720\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 18.05.35\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-18.05.35.png?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-18.05.35.png?fit=1024%2C577&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-18.05.35.png?w=277&amp;h=156&amp;ssl=1\" width=\"277\" height=\"156\" data-original-width=\"277\" data-original-height=\"156\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 18.05.35\" alt=\"Los Vilos, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<div class=\"gallery-group images-1\" data-original-width=\"282\" data-original-height=\"160\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/captura-de-pantalla-2019-06-06-a-las-17-25-56\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6703\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.25.56.png\" data-orig-size=\"1275,717\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Captura de pantalla 2019-06-06 a la(s) 17.25.56\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.25.56.png?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.25.56.png?fit=1024%2C576&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/captura-de-pantalla-2019-06-06-a-las-17.25.56.png?w=278&amp;h=156&amp;ssl=1\" width=\"278\" height=\"156\" data-original-width=\"278\" data-original-height=\"156\" itemprop=\"http:\/\/schema.org\/image\" title=\"Captura de pantalla 2019-06-06 a la(s) 17.25.56\" alt=\"Los Vilos, 2019\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" \/><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>Este pensar y crear en torno al ser femenino al parecer es corolario del ejercicio que hicieron hace un tiempo pintando sus caras para estamparlas luego en una gaza y exponerlas pronto en un festival en Sao Paulo y despu\u00e9s en Mil\u00e1n. Vaya!<br \/>El video que registra esa acci\u00f3n de arte evidencia una vez m\u00e1s, la prolijidad del trabajo en equipo que ha caracterizado a Arsfactus. Desde su creaci\u00f3n, con sus diversos formatos, tem\u00e1ticas y t\u00e9cnicas, han hecho ruido en el \u00e1mbito cultural y, como he dicho, siento que son en s\u00ed mismas una instalaci\u00f3n.<\/p>\n<p>De seguro han sido inspiraci\u00f3n y escuela para otros colectivos femeninos, que saben que hay que ganarse los espacios sin prisa pero sin pausa. El entusiasmo y la energ\u00eda con que contaron sus experiencias, c\u00f3mo se apa\u00f1an, c\u00f3mo se quieren y ayudan, pero por sobre todo, c\u00f3mo han sido capaces de mirarse y mirar su entorno, poniendo juicio cr\u00edtico al contexto y vaciarlo en sus obras, es muy emoci\u00f3nate porque es verdadero. Y es que las mujeres hacemos familia en nuestros oficios tambi\u00e9n, con lealtad y compa\u00f1erismo eterno, cada una en su propia imagen y realidad femeninas, tanto que asistentes externas al conversatorio se sintieron inmediatamente integradas al grupo. Como las olas del mar que TRAS pasos, todas son una finalmente.<\/p>\n<p>Primero, le propusieron a la \u2018Gabriela Mistral Foundation US\u2019 en Nueva York, el proyecto IN LIBRIS (2014) que result\u00f3 un \u00e9xito. Cada artista trabaj\u00f3 sobre una selecci\u00f3n literaria espec\u00edfica de una obra de Gabriela Mistral y\/o Isabel Allende. El resultado de este particular homenaje a modo de pieza de arte \u00fanica e irrepetible fue muy aplaudido por el singular encuentro de las artes visuales con la literatura. La inauguraci\u00f3n en la gran manzana coincidi\u00f3 adem\u00e1s con la entrega del \u2018Humanitarian Award Gabriel Mistral\u2019 a la propia Isabel Allende.<br \/>Luego, en 2015, protagonizaron una interesante residencia: se instalaron durante un mes en una antigua f\u00e1brica\u00a0 textil en la Factor\u00eda Santa Rosa del Barrio Franklin para nutrir sus expresiones de esa colorida cultura popular. A esa enriquecedora vivencia como cuentan, la titularon PLACER (se pueden ver detalles de las obras en<span>\u00a0<\/span><a href=\"http:\/\/www.arsfactus.com\/\">www.arsfactus.com<\/a>.<br \/>Ahora, dejar\u00e1n sus huellas en Los Vilos, no s\u00f3lo en el Bodeg\u00f3n como espacio de exposici\u00f3n, sino TRAS pasos: en sus calles, con su gente, con sus colores, con sus texturas coste\u00f1as.<br \/>Qu\u00e9 curiosidad ver el resultado\u2026.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h5>Carolina Oltra<\/h5>\n<div class=\"tiled-gallery type-rectangular\" data-original-width=\"1100\" data-carousel-extra=\"{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/revistaphilos.com\\\/2019\\\/06\\\/21\\\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\\\/&quot;,&quot;likes_blog_id&quot;:&quot;121107852&quot;}\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageGallery\">\n<div class=\"gallery-row\" data-original-width=\"1100\" data-original-height=\"491\">\n<div class=\"gallery-group images-1\" data-original-width=\"734\" data-original-height=\"491\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/3x1a4171_oltra1\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6686\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4171_oltra1.jpg\" data-orig-size=\"9449,6311\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;Carolina Oltra&quot;,&quot;camera&quot;:&quot;Canon EOS 5DS R&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1558829671&quot;,&quot;copyright&quot;:&quot;CAMERAOLTRA Camino del portal 4448 Santiago&quot;,&quot;focal_length&quot;:&quot;50&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Miradas Veladas, Carolina Oltra (2019)\" data-image-description=\"&lt;p&gt;Miradas Veladas, Carolina Oltra (2019)&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4171_oltra1.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4171_oltra1.jpg?fit=1024%2C684&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4171_oltra1.jpg?w=730&amp;h=487&amp;ssl=1\" width=\"730\" height=\"487\" data-original-width=\"730\" data-original-height=\"487\" itemprop=\"http:\/\/schema.org\/image\" title=\"Miradas Veladas, Carolina Oltra (2019)\" alt=\"Miradas Veladas, Carolina Oltra (2019)\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" style=\"box-sizing: inherit; border: none; overflow-wrap: break-word; height: 336px; max-width: 100%; margin: 2px !important; cursor: pointer; background: none; box-shadow: none; padding: 0px; vertical-align: middle; width: 504px;\" \/><\/a><\/div>\n<\/div>\n<div class=\"gallery-group images-2\" data-original-width=\"366\" data-original-height=\"491\">\n<div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/ImageObject\"><a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/3x1a4395_oltra6\/\" border=\"0\" itemprop=\"url\"><img decoding=\"async\" data-attachment-id=\"6688\" data-orig-file=\"https:\/\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4395_oltra6.jpg\" data-orig-size=\"8688,5792\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;Carolina Oltra&quot;,&quot;camera&quot;:&quot;Canon EOS 5DS R&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1558920735&quot;,&quot;copyright&quot;:&quot;CAMERAOLTRA Camino del portal 4448 Santiago&quot;,&quot;focal_length&quot;:&quot;50&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Miradas Veladas, Carolina Oltra (2019)\" data-image-description=\"&lt;p&gt;Miradas Veladas, Carolina Oltra (2019)&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4395_oltra6.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4395_oltra6.jpg?fit=1024%2C683&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/revistaphilos.com\/wp-content\/uploads\/2019\/06\/3x1a4395_oltra6.jpg?w=362&amp;h=242&amp;ssl=1\" width=\"362\" height=\"242\" data-original-width=\"362\" data-original-height=\"242\" itemprop=\"http:\/\/schema.org\/image\" title=\"Miradas Veladas, Carolina Oltra (2019)\" alt=\"Miradas Veladas, Carolina Oltra (2019)\" class=\"jetpack-lazy-image jetpack-lazy-image--handled\" data-lazy-loaded=\"1\" loading=\"eager\" style=\"box-sizing: inherit; border: none; overflow-wrap: break-word; height: 167px; max-width: 100%; margin: 2px !important; cursor: pointer; background: none; box-shadow: none; padding: 0px; vertical-align: middle; width: 250px;\" \/><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>\u201cEl Bodegon cultural de Los Vilos fue el territorio simb\u00f3lico de mi investigaci\u00f3n, es el espacio de reflexi\u00f3n y en el que residimos por un tiempo determinado y acotado. En el invernadero de bodeg\u00f3n, al mirar por la ventana, un umbral profundo, misterioso y fecundo, con huellas de una imagen velada, un sue\u00f1o protegido por el vidrio y nada mas deslumbrante que una ventana tenuemente iluminada. La luz del sol nos muestra cuanto acontece tras unos cristales. En esa oquedad radiante o sombr\u00eda, la vida sue\u00f1a, sufre, vive. M\u00e1s all\u00e1 de las ventanas del invernadero como referente, en la serie de im\u00e1genes hay una inquietud por reflejar la complejidad del material y explorar las posibilidades po\u00e9ticas y sus diversas resonancias\u201d. \u2013<span>\u00a0<\/span><em>Carolina Oltra<\/em>, artista.<\/p>\n<p>Fonte: <a href=\"https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/\">https:\/\/revistaphilos.com\/2019\/06\/21\/residencia-de-arsfactus-tras-pasos-en-los-vilos-por-virginia-araya\/<\/a>\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Residencia de Arsfactus emilla \u2013\u00a0Paisaje \u2013\u00a0Naturaleza\u00a0 \u2013\u00a0Apoyo \u2013\u00a0Germinar \u2013\u00a0Textil \u2013\u00a0Conexi\u00f3n \u2013\u00a0Familia \u2013\u00a0Colectivo \u2013\u00a0Amigas Estos tremendos conceptos, son las palabras que m\u00e1s se repitieron en el conversatorio que dio el vamos a la residencia art\u00edstica de las diez integrantes del colectivo santiaguino Arsfactus m\u00e1s invitadas, en Los Vilos en mayo pasado. Fueron el\u00a0in put\u00a0de inspiraci\u00f3n para [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":175,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":97,\"sizeSlug\":\"full\",\"linkDestination\":\"none\",\"className\":\"is-style-rounded\"} -->\n<figure class=\"wp-block-image size-full is-style-rounded\"><img src=\"https:\/\/finart.art.br\/wp-content\/uploads\/2022\/04\/finart-exposicoes-.jpg\" alt=\"\" class=\"wp-image-97\"\/><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->\n\n<!-- wp:paragraph {\"dropCap\":true} -->\n<p class=\"has-drop-cap\"><\/p>\n<!-- \/wp:paragraph -->","_et_gb_content_width":"","footnotes":""},"categories":[20],"tags":[],"class_list":["post-152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-atualidades"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - 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